This assignment for the Disquiet Junto Project was created in Reason. No samples were used only synths (mainly Reason Thor) running through wonderful Pulveriser effect devices and The Echo for distortion, rumble and filtering. Reason Audiomatic was used on master using it’s godzilla VHS setting.

More on this 137th Disquiet Junto project — “Produce an original piece of music that fits the genre ‘old-time electronica’″ — at:

http://disquiet.com/2014/08/14/disquiet0137-oldtimeelectronica/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

More on this 136th Disquiet Junto project — “Recombinate work from the netlabels Nowaki, Phantom Channel, and Rec72″ — at:

http://disquiet.com/2014/08/07/disquiet0136-thricederivative/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums

This track is made from elements extracted from the track “Nunquam Revolvo” from Jared C. Balogh’s album I Am The Ship // I Am The Shaman, available from the Nowaki netlabel; “And The Rain Embraced Our Closing Words” by from Chris Tenz and Cory Zaradzur’s album Language of Landscape, available from the Phantom Channel netlabel; and “HD Eve” from the Small Radio album Migre 3, available from the Rec72 netlabel.

More on those releases at

http://www.nowaki-music.org/#album197

https://archive.org/details/LanguageOfLandscape-memoriesFadeUnderAShallowAutumnSnowphch014

http://rec72.net/?p=3555